Finno-Ugric Rune Song Tradition Revisited: A Critical Discourse Analysis of Värttinä's "Äijö" (Q5586): Difference between revisions

From FinnoUgric Dataspace
Jump to navigation Jump to search
Created claim: access point (P465): https://www.erudit.org/fr/revues/is/2005-v25-n1-2-is0384/1013309ar/
 
(5 intermediate revisions by the same user not shown)
description / endescription / en
Unlike the hugely popular Finnish rock music (HIM, Nightwish, The Rasmus), contemporary Finnish folk music conveys Finnish and Finno-Ugric traditions—in a reinterpreted form—to international audiences. This article explores this transmission through a case study of Äijö, a song by Värttinä, the ‘quintessential’ Finnish world music band. Critical discourse analysis provides a unifying framework for examining the contribution of different folk music traditions and Western popular music practices to the development of Äijö. The data used for this research consists mainly of public media texts representing different stages of the production, distribution and consumption of Äijö
Contemporary Finnish folk music, unlike internationally successful contemporary Finnish rock (HIM, Nightwish, The Rasmus), transmits Finnish and Finno-Ugric tradition in a reinterpreted form to international audiences. This article explores this transmission through a case analysis of Äijö, a song by Värttinä, "the brand name" of Finnish World Music. Critical Discourse Analysis (CDA) provides a unified framework, which allows for tan examination of how different folk music traditions and the practices of Western popular music have been used in Äijö. The data with which this research was undertaken consists of publicly available media texts representing different stages of the production, distribution and consumption of Äijö.
Property / instance ofProperty / instance of
Q4181 (Deleted Item)
Property / author name string
Yrjö Heinonen
 
Property / author name string: Yrjö Heinonen / rank
Normal rank
 
Property / DOI
 
Property / DOI: 10.7202/1013309ar / rank
 
Normal rank
Property / creator
 
Property / creator: Yrjö Heinonen / rank
 
Normal rank

Latest revision as of 09:39, 17 November 2025

Contemporary Finnish folk music, unlike internationally successful contemporary Finnish rock (HIM, Nightwish, The Rasmus), transmits Finnish and Finno-Ugric tradition in a reinterpreted form to international audiences. This article explores this transmission through a case analysis of Äijö, a song by Värttinä, "the brand name" of Finnish World Music. Critical Discourse Analysis (CDA) provides a unified framework, which allows for tan examination of how different folk music traditions and the practices of Western popular music have been used in Äijö. The data with which this research was undertaken consists of publicly available media texts representing different stages of the production, distribution and consumption of Äijö.
Language Label Description Also known as
English
Finno-Ugric Rune Song Tradition Revisited: A Critical Discourse Analysis of Värttinä's "Äijö"
Contemporary Finnish folk music, unlike internationally successful contemporary Finnish rock (HIM, Nightwish, The Rasmus), transmits Finnish and Finno-Ugric tradition in a reinterpreted form to international audiences. This article explores this transmission through a case analysis of Äijö, a song by Värttinä, "the brand name" of Finnish World Music. Critical Discourse Analysis (CDA) provides a unified framework, which allows for tan examination of how different folk music traditions and the practices of Western popular music have been used in Äijö. The data with which this research was undertaken consists of publicly available media texts representing different stages of the production, distribution and consumption of Äijö.

    Statements

    Identifiers

    0 references