Finno-Ugric Rune Song Tradition Revisited: A Critical Discourse Analysis of Värttinä's "Äijö" (Q5586): Difference between revisions

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@@ description / en / description / en @@
-Unlike the hugely popular Finnish rock music (HIM, Nightwish, The Rasmus), contemporary Finnish folk music conveys Finnish and Finno-Ugric traditions—in a reinterpreted form—to international audiences. This article explores this transmission through a case study of Äijö, a song by Värttinä, the ‘quintessential’ Finnish world music band. Critical discourse analysis provides a unifying framework for examining the contribution of different folk music traditions and Western popular music practices to the development of Äijö. The data used for this research consists mainly of public media texts representing different stages of the production, distribution and consumption of Äijö
+Contemporary Finnish folk music, unlike internationally successful contemporary Finnish rock (HIM, Nightwish, The Rasmus), transmits Finnish and Finno-Ugric tradition in a reinterpreted form to international audiences. This article explores this transmission through a case analysis of Äijö, a song by Värttinä, "the brand name" of Finnish World Music. Critical Discourse Analysis (CDA) provides a unified framework, which allows for tan examination of how different folk music traditions and the practices of Western popular music have been used in Äijö. The data with which this research was undertaken consists of publicly available media texts representing different stages of the production, distribution and consumption of Äijö.
@@ Property / instance of / Property / instance of @@
-Q4181 (Deleted Item)
+journal article
@@ Property / author name string @@
-Yrjö Heinonen
@@ Property / author name string: Yrjö Heinonen / rank @@
-Normal rank
@@ Property / has time @@
+Timestamp +2005-00-00T00:00:00Z
Timezone +00:00
Calendar Gregorian
Precision 1 year
Before 0
After 0
-Timestamp
++2005-00-00T00:00:00Z
-Timezone
++00:00
-Calendar
+Gregorian
-Precision
+year
 Before
 After
@@ Property / has time: 2005 / rank @@
+Normal rank
@@ Property / has time: 2005 / qualifier @@
+temporal role: date of publication
@@ Property / published in string @@
+Nothern Perspectives on Music and Culture
+Normal rank
+volume: 25
@@ Property / language of work or name @@
+English
@@ Property / language of work or name: English / rank @@
+Normal rank
@@ Property / access point @@
+https://www.erudit.org/fr/revues/is/2005-v25-n1-2-is0384/1013309ar/
+Normal rank
@@ Property / DOI @@
+.7202/1013309ar
@@ Property / DOI: 10.7202/1013309ar / rank @@
+Normal rank
@@ Property / creator @@
+Yrjö Heinonen
@@ Property / creator: Yrjö Heinonen / rank @@
+Normal rank

Latest revision as of 09:39, 17 November 2025

Contemporary Finnish folk music, unlike internationally successful contemporary Finnish rock (HIM, Nightwish, The Rasmus), transmits Finnish and Finno-Ugric tradition in a reinterpreted form to international audiences. This article explores this transmission through a case analysis of Äijö, a song by Värttinä, "the brand name" of Finnish World Music. Critical Discourse Analysis (CDA) provides a unified framework, which allows for tan examination of how different folk music traditions and the practices of Western popular music have been used in Äijö. The data with which this research was undertaken consists of publicly available media texts representing different stages of the production, distribution and consumption of Äijö.

Language	Label	Description	Also known as
English	Finno-Ugric Rune Song Tradition Revisited: A Critical Discourse Analysis of Värttinä's "Äijö"	Contemporary Finnish folk music, unlike internationally successful contemporary Finnish rock (HIM, Nightwish, The Rasmus), transmits Finnish and Finno-Ugric tradition in a reinterpreted form to international audiences. This article explores this transmission through a case analysis of Äijö, a song by Värttinä, "the brand name" of Finnish World Music. Critical Discourse Analysis (CDA) provides a unified framework, which allows for tan examination of how different folk music traditions and the practices of Western popular music have been used in Äijö. The data with which this research was undertaken consists of publicly available media texts representing different stages of the production, distribution and consumption of Äijö.